REVIEW – Harry Potter and the Battle at the Ministry at Universal Epic Universe

Battle at the Ministry isn’t just a ride — it’s a full attraction experience, and a major part of that experience is the queue itself. This queue might be the most incredible, breathtaking, massive, beautifully detailed, and longest queue ever created for any ride.

Battle at the Ministry isn’t just a ride — it’s a full attraction experience, and a major part of that experience is the queue itself. This queue might be the most incredible, breathtaking, massive, beautifully detailed, and longest queue ever created for any ride.

As you step into the entrance of the attraction, you leave behind 1920s Paris and board the Metrofloo. The initial setting is beautifully detailed, capturing the look and feel of a Parisian Metro station. With a little magic, a team member guides you through one of the many Floos — and in an instant, you’re not just transported to London, but also sent through time to the 1990s, after the events of Deathly Hallows. Emerging from the Floo, you find yourself standing in the enormous, awe-inspiring atrium of the Ministry of Magic.

The only comparison I can make to the reveal when you step out of the Floo Network is the moment you exit the Resistance transport in Star Wars: Rise of the Resistance and find yourself inside the Star Destroyer hangar — but imagine it on an even larger scale. Walking out of the Floo for the first time was one of the most jaw-dropping experiences I’ve ever had in a theme park. Pictures and videos simply can’t capture the true scale and detail of the Ministry of Magic. As you walk toward the massive fountain, you’ll spot the giant floating screen, setting the stage for the trial of Dolores Umbridge. Surrounding you are countless office windows, many alive with movement and activity. It’s a truly magical moment — and it’s only the beginning of what might be one of the largest and most immersive queues ever built for an attraction.

As you whine your way through different areas and offices and back hallways at the Ministry of Magic, the level of detail is still astounding, even as you move through smaller spaces, including a room that has the living portraits of all the former ministers of magic and they’re all talking to each other And what I’ve heard is almost an hour long loop that was created of story. You eventually make your way to Dolores Umbridge’s office, where you find an elf, Higgledy, the house elf who formerly served Umbridge. Higgledy is, of course, an animatronic, and she’s explaining what’s going on all the while all kinds of different magical effects are going on around you as you’re in her office. She explains to you that Dolores Umbridge is on trial today. And you’ll be boarding an elevator to attend the trial. After you exit your office, you head straight to the loading area. There is no pre-show, which makes sense because the queue and everything going on in it is pretty much the preshow for the attraction.

Your ride vehicle or lift is really unlike anything I’ve ever experienced before. It’s almost like a combination of the Spider-Man ride vehicle and the Tower of Terror ride vehicle. Once you get on the ride vehicle, you buckle your seatbelt, the team member checks you, and then you’re on your way.

This ride features the best use of screens I’ve ever experienced on any attraction. The screens are easily among the highest resolution I’ve ever seen, with an incredible level of detail, and the CGI is easily the best and most realistic I have ever seen in a ride. But it’s not just a screen-based ride — it’s an impressive blend of screens, physical sets, animatronics, and moving set pieces, unlike anything I’ve ever encountered and on a truly breathtaking scale. Some of the sets are massive, and the animatronics are some of the most lifelike I’ve ever seen. Honestly, if someone had told me there were live actors on the ride, I might have believed them for a moment — that’s how fluid and realistic the movements are. We often talk about attractions making you feel like you’ve stepped into a movie; this one pulls it off better than anything I’ve experienced. It’s a true cinematic journey from start to finish.

As incredible as it is, no attraction is perfect. There are a few moments where some animatronics dip slightly into the uncanny valley, creating a brief sense of unease. However, for the vast majority of the experience, from the very start to the final moments, you are completely immersed in the story in a way that few, if any, other attractions have ever achieved.

After the ride ends, you exit through the atrium, giving you one last chance to take in its awe-inspiring beauty. I think this was a brilliant design choice — instead of immediately funneling you into a gift shop, you’re brought back into one of the most stunning parts of the queue, allowing the experience to end on a truly memorable note.

Harry Potter and the Battle of the Ministry is truly one of the most incredible attractions I’ve ever experienced — a major leap forward in the evolution of dark rides at theme parks worldwide. Between this and Monsters Unchained, Universal’s Epic Universe is home to two of the best attractions on the planet. Both rides represent a true technological breakthrough, setting a new standard for what theme park experiences can be. Battle of the Ministry is an absolute must-do every time you visit Epic Universe. As someone who has loved theme parks since childhood, studied the art of attraction design, and now has the privilege of covering them professionally, I can honestly say I can’t wait to ride this again and again. It may sound cheesy, but it’s genuinely a magical experience.

Make sure you’re following ThrillGeek across all of our social media channels for the latest updates from Universal Epic Universe